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Page N. 1 of 7
QIANLONG 1736 - 1795.<br>
<EM>Chinese Export Porcelain.</em><BR> stock n.  20836
QIANLONG 1736 - 1795.
Chinese Export Porcelain.
A Rare Soft-Paste Chinese Export Porcelain Plate After a Design by Cornelis Pronk (1691-1759) Referred to as 'The Lady with the Parasol'. Painted in a Rich Cobalt Blue Against a Finely Crackled Glaze. Qianlong Period c.1750.

The Dutch artist Cornelis Pronk made four designs for the V.O.C. (Dutch East India Company) to be taken to China, copied onto porcelain and then sent back to Holland. The designs are Chinoiserie in style, two of the original water-colours are still in existence in the Rijksmuseum Amsterdam, 'The Doctors Visit' and 'The Parasol Ladies'. The later design was sent to China in 1734, it was also ordered in Imari and Famille Rose, there is a Japanese version as well. The present example is somewhat different to the original design of 1734, especially the border. Soft-Paste versions of this pattern are rare.

For a hard-paste porcelain plate with a design closer to Pronk's original See : The Choice of the Private Trader, The Private Market in Chinese Export Porcelain illustrated from the Hodroff Collection (David S.Howard, Zwemmer,1994. ISBN 0 302 00642 7) Page 73 Plate 53. For Information about Chinese Soft-paste Porcelain See : Chinese Porcelain in the Collection of the Rijksmuseum Amsterdam, The Ming and Qing Dynasties (Christiaan Jorg, Phillip Wilson, The Rijksmuseum, 1997) Page 117 Item 119.

Jorg States "Chinese soft-pate porcelain, which is different from European soft-paste, originated about 1700 and became popular in the second quarter of the 18th century as part of the export assortment. Unlike ordinary porcelain, it is not translucent and often has a creamy-white appearance. The glaze is often finely crackled as a result of a difference in cooling between the glaze and the body. The later is made of a white-firing clay, called huashi, 'slippery stone', the use of which is documented in the reports of 1712 and 1722 by the Jesuit Pere d'Entrecolles. As the clay was expensive, soft-paste pieces are usually small and thinly potted. They are also well-painted, as the body is particularly suitable for detailed drawing. Besides this 'true' soft-paste, there are pieces with an ordinary porcelain body and a coating of 'huashi' clay, which gives the same effect".
Stock n. 20836
R and G McPherson dealers in antique Chinese porcelain
KANGXI 1662 - 1722.<BR>
<em>Chinese Export Porcelain.</em> stock n.  19336
KANGXI 1662 - 1722.
Chinese Export Porcelain.A Chinese Export Blue and White Porcelain Ewer and Cover, Kangxi Period (1662-1722). In the Islamic Style.

For a similar Kangxi Blue and White Porcelain ewer See : Pronken Met Oosters Porcelein (Stephen Hartog, Uitgeverij Waaders b.v. 1990) Page 73 Item 61.
Stock n. 19336
R and G McPherson dealers in antique Chinese porcelain
CHONGZHEN. 1628 - 1644. <BR>
<EM>Transitional Porcelain.</em> stock n.  21020
CHONGZHEN. 1628 - 1644.
Transitional Porcelain.A Late Ming Blue and White Kraak Porcelain Dish, Transitional, Chongzhen c.1635-1645. Painted in a Strong Cobalt Blue with a Scholar Being Offered a Drink by His Attendant within a Misty Mountainous Landscape, the Sun Can be Seen Above. The Typical Kraak Type Panels Showing Various Ships and Figures with Islamic Inspired Flowering Plants.

Kraak Porcelain is a Type of Chinese Export Porcelain Produced from the Wanli period (1573-1620) until the end of the Ming Dynasty in the 1640's. Kraak ware or Kraak porcelain was the first Chinese Export Ware to arrive in Europe in large quantities. Its name does not, as had been previously thought derived from the name of Portuguese trading ships, it is possible its name derived from Irish ships called Curachs. These trading ships worked between Ireland and England, they were know to the Dutch traders who used a similar word, craquen, to describe Portuguese trading ships. However in the 16th and early 17th centuries the word Kraak was not used in the V.O.C. record or inventories to describe porcelain.

The first known time Kraak was first used as a term to describe a type of late Ming blue and white porcelain was in 1673. This was over 100 years after what we now know as Kraak porcelain was first produced, however there is some evidence that it was a term that had been in use for some time. Blue and white porcelain was exported to Europe in large quantities from the mid 16th century. It was highly prized and the Portuguese fort hard against the Dutch to keep control of this lucrative trade, but in 1602 the Dutch sold the cargo they captured from the Portuguese Carrack 'San Tiago' and two years later they sold the cargo of the 'Santa Catarina'. These ships caused a sensation, it was the first time such large amounts of Chinese blue and white porcelain had been avalible in Northern Europe, many of the pieces were 'gifts' rather than to be sold on the open market .

All Kraak porcelain was made at the main ceramic centre in China, Jingdezhen. It does vary in style and quality to quite a large extent, and some scholars include pieces as kraakware that others do not, so a definitive description is, I feel, rather difficult. The main group of kraak porcelain is less controversial. Normally thinly potted, often moulded, it's designs are divided into decorative panels, with reserves that might include flowers and animals, taotie masks and stylised tulips. The bases often show 'Chatter Marks'. These are ridges, that radiate from the centre of the base to the foot rim, they are caused by the potters finishing tool catching on the leather hard clay prior to glazing. When one looks at the construction, painting techniques and glazing of kraak porcelain it appears similar in many ways to some of the late Ming porcelain made for the Japanese market. I think it is quite possible that they were both made within the same kilns at Jingdezhen. Kraak porcelain also includes a few rare pieces that have the addition of underglaze copper red and there are a very few know examples of polychrome kraakware. Kraak porcelain went out of fashion at the end of the Ming Dynasty but was later revived during the reign of Kangxi (1662-1722). Swatow porcelain (c.1580-1640) was made in the kraak style but this is thicker and much cruder, the bases often show grit adhering.

Provenance :
Dries Blitz, Amsterdam 16th March 1998.
The Tom Lurie Collection of Chinese Export Porcelain, number 629.
Stock n. 21020
R and G McPherson dealers in antique Chinese porcelain
TANG DYNASTY 618 - 907.<br>
<em>Yue Celadon Ware</em> stock n.  20394
TANG DYNASTY 618 - 907.
Yue Celadon WareA Miniature Tang Dynasty (618-907) Yue Celadon Ware Waterpot. The Compressed Oval Form Divided into Four by Impressed Lines which Terminate at Four Stumpy Legs. With Later Wooden Stand.

For a similar Tang Yue Celadon waterpot from Brodie Lodge Collection, bought at Bluetts on the 7th of June 1961 for £15.00. See 17345, enter this number in the search box on the Home page. This piece is in our Archives.

Celadon Ware.
Celadon is a term used to describe several types of Chinese stoneware and porcelain, as well a ceramics from other countries, notably from Korea and Japan. The term is a imprecise one, applying to various types of green glazed ceramics, but not all ceramics with green glazes, there are several wares that have a green glaze that are not refereed to as celadon. For example Green Jun and Ge Ware. For this reason there has been a move to try to clarify the situation by using the term 'Green Ware'. But for now Celadon is a more familiar and therefore useful term. The origins of the term Celadon are not clear, one theory is that the term first appeared in France in the 17th century and that it is named after the shepherd Celadon in Honoré d'Urfé's French pastoral romance, L'Astrée (1627), who wore pale green ribbons. (D'Urfe, in turn, borrowed his character from Ovid's Metamorphoses.) Another theory is that the term is a corruption of the name of Saladin, the Ayyubid Sultan, who in 1171 sent forty pieces of the ceramic to Nur ad-Din, Sultan of Syria. Yet a third theory is that the word derives from the Sanskrit sila and dhara, which mean "stone" and "green" respectively.

Provenance :
The Carl Kempe Collection of Early Chinese Ceramics.
Johan Carl Kempe (8 December 1884 – 8 July 1967) was one of the greatest collectors of Early Chinese Ceramics, like many he started off with Ming and Qing polychrome Porcelain before becoming interested in the more restrained palette of Early Chinese Stoneware and Porcelain.


Stock n. 20394
R and G McPherson dealers in antique Chinese porcelain
QIANLONG 1736 - 1795.<br>
<em>Chinese Export Porcelain.</em> stock n.  21068
QIANLONG 1736 - 1795.
Chinese Export Porcelain.A Pair of Chinese Export Porcelain Blue and White Models of Boys, Qianlong Period c.1750.

Although we have classified these figures as Chinese Export Porcelain it is not as simple a that. Small models of boys were made in China from early times, they adorned family alters as part a hope for children, that is to say boys, to be conceived. Several years ago we had a similar Qianlong Porcelain model of a boy which had cold painted acupuncture pointed painted on the body and a small cloth bib, both added in China probably in the 19th century. However, it is clear large numbers of these boys were made for export to Europe as they occur in various shipwrecks, the Ca Mau c.1730, Nanking 1752 and even Tek Sing Cargo of 1822. Porcelain figures were part of the 'Private Trade', the Captain and crews privileged private trading rights.

For similar but earlier and less clearly defined Chinese Export Porcelain Models of boys from the Yongzheng Period 1723-1735 see : "Made in Imperial China", the Sotheby's Sale of Chinese Porcelain from the Ca Mau Cargo, Lots 812 to 832.

For very similar Chinese Export Porcelain figures see : Christie's Amsterdam, The Nanking Cargo, Chinese Export Porcelain and Gold, 28th April-2nd May 1986.

A pair of very similar Chinese Export Porcelain figures dated to c.1725-1750 are at the Victoria and Albert Museum London in their ceramics gallery, ref. C28&A-1969.
Stock n. 21068
R and G McPherson dealers in antique Chinese porcelain
QIANLONG 1736 - 1795.<br>
<EM>Qianlong Mark and of the Period</em> stock n.  20895
QIANLONG 1736 - 1795.
Qianlong Mark and of the PeriodA Pair of Qianlong White Porcelain Stem-Dishes, Six Character Qianlong Mark and of the Period (1736-1795).

Provenance :
C.T. Loo & Co Paris. Said to have been purchased in the 1920's. Label to the base of one C.T. Loo & Co Paris, LAP 5.730.

An American Collection of Chinese ceramics.


Stock n. 20895
R and G McPherson dealers in antique Chinese porcelain
HONGZHI 1488 - 1505 to JIAJING 1522 - 1566.<br>
<EM>Ming Dynasty</em> stock n.  20614
HONGZHI 1488 - 1505 to JIAJING 1522 - 1566.
Ming DynastyA Ming Pottery Mingqi Model of a Table with Food Offerings, c.1500 - 1640 from a Kiln in Northern China.

Mingqi pottery objects were designed specifically for use in tombs. Most Han 'Mingqi' pottery consists of copies of bronze or lacquer vessels or models of architecture forms, figures as well as animals. Food was an important element of Han burials, as with ancient Egypt foodstuffs were believed to provide sustenance for the next life. Richer tombs were generously supplied with raw agricultural products. Ming tombs also contain models of furniture, day beds, clothes hangers as well as tables and chairs reflecting the comfortable life led by the owners.

A very similar Ming dynasty Mingqi pottery table with offerings purchased from Robert McPherson Antiques can now be seen at the Victoria and Albert Museum London.
Stock n. 20614
R and G McPherson dealers in antique Chinese porcelain
KANGXI 1662 - 1722.<br>
<em>Transitional Porcelain</em> stock n.  21205
KANGXI 1662 - 1722.
Transitional PorcelainA Fine Transitional Blue and White Porcelain Dish, Early Kangxi Period c.1670. The Thickly Potted Porcelain Dish is Finely Painted with a Well Dressed Lady in a Garden landscape and Two Young Boys Near a Rustic Table Beside a Large Willow Tree. Part of a House is to the Far Right. The Back Decorated with Large Fruiting Peach Branches.

The painting style of this dish retains certain elements of 'High Transitional' Porcelain painting, for example the dots for shading and the way in which the woman's robe is embellished with decoration, but the over all look of the piece is more characteristic of Kangxi porcelain. Other smaller, as well as larger dishes of this shape with the distinctive back and border painting are known. They are invariably well painted, for example the fine large Early Kangxi Porcelain dish decorated in Blue and White in the 'Master of the Rocks' Style from the W.W. Winkworth and Edward Carew-Shaw (1901-1998) collections, see 18472 in our sold section. The painting of that example is of a type of 'Master of the Rocks' that pre-dates the Jingdezhen kiln reopened of c.1682. It appears that these dishes form a distinct group made at a specific time, somewhere around 1670.

For a plate of the same early Kangxi group with figures see : Transitional Wares and Their Forerunners (The Oriental Ceramic Society of Hong Kong, 1981) page 154 plate 109.

For a Master of the Rocks plate from this group see : Seventeenth Century Chinese Porcelain From The Butler Family Collection (Sir Michael Butler, Margaret Medley, Stephen Little, Art Services International,1990) page 145 plate 94.
Stock n. 21205
R and G McPherson dealers in antique Chinese porcelain
 HATCHER CARGO c.1643.<br>
<EM>Transitional Porcelain.</EM> stock n.  19983
HATCHER CARGO c.1643.
Transitional Porcelain.A Transitional Porcelain Cup from the Hatcher Cargo, Chenghua Mark to the Base (1465-1487).

The dating of the Porcelain from the Hatcher Cargo is based on several elements. Firstly, the ceramics recovered are of a coherent group, in other words they appear to all have been made at the same time. Blue and white Porcelain dishes with a coiled serpent that have been recovered from the Hatcher Cargo match an important dish from the fall of the Ming dynasty, formerly in the Percival David Foundation, now at the British Museum London, which can be dated to 1644 - 1645. However, the most important dating reference are the two cover recovered from the wreck datable by inscription to the spring of 1643. The Ming dynasty officially ended in 1644.
Stock n. 19983
R and G McPherson dealers in antique Chinese porcelain
HATCHER CARGO c.1643<br>
<em>Transitional Porcelain.</EM> stock n.  19933
HATCHER CARGO c.1643
Transitional Porcelain.A Finely Potted Transitional Porcelain Blue and White Cup Decorated with Cranes in Flight.

Of the 25,000 recovered pieces from the Hatcher Cargo, most were blue and white porcelain from Jingdezhen. However a few Swatow and Blanc de Chine items were found. It seems apparent that this cargo was going to be trans-shipped, some for the local South East Asian market, including bird feeders, cricket cages and pickled dishes. However there were many items made for the West, including western shapes. The Dutch East India Company ( The V.O.C.) had been sending wooden shapes out for copying from the 1630’s.Transitional period porcelain (between the end of the Ming and the beginning of the Qing) is often of very good quality with wonderful landscape and paintings of plants. Indeed the quality of this cargo is generally very high. It dates from the very end of the Ming dynasty. A cover with a cyclical date of Spring 1643 has been recovered. It is one of the most important shipwrecks recovered.
Stock n. 19933
R and G McPherson dealers in antique Chinese porcelain
QIANLONG or JIAQING c.1785 - 1810.<BR>
<EM>Chinese Export Porcelain</em> stock n.  21018
QIANLONG or JIAQING c.1785 - 1810.
Chinese Export PorcelainA Chinese Export Porcelain Blue and White Leaf Shape Dish. Decorated with a Landscape at the Waters Edge with a Large Willow Tree.

Dishes of this type were in fact stands for shallow jugs that contained sauce at the table. They came as part of a large dinner service made for export to the West, particularly England as well as America and Europe. The subject matter and meticulous clear painting shows that the Chinese factories at Jingdezhen made this piece to compete with English transfer printed porcelain and pottery of the late 18th and early 19th century.

Provenance :
The Tom Lurie Collection of Chinese Export Porcelain, number 443.
Stock n. 21018
R and G McPherson dealers in antique Chinese porcelain
HATCHER CARGO c.1643<br>
<em>Transitional Porcelain.</EM>
 stock n.  19830
HATCHER CARGO c.1643
Transitional Porcelain. A Transitional Blue and White Bowl from the Hatcher Cargo, Late Chongzhen or Early Shunzhi c.1643. Painted with Flowers and a Rock. The Base with a Poorly Drawn Chenghua Mark (Copying the Ming Mark of Chenghua 1465-1487).
Stock n. 19830
R and G McPherson dealers in antique Chinese porcelain
HATCHER CARGO c.1643<br>
<em>Transitional Porcelain.</EM> stock n.  19985
HATCHER CARGO c.1643
Transitional Porcelain.A Small Blue and White Transitional Porcelain Cup from the Hatcher Cargo of c.1643.

The Hatcher Cargo was the first cargo of shipwreck porcelain to come on to the market. It was sold in three auctions in Christie's Amsterdam in 1984 and 1985. It is a very important cargo of shipwreck ceramics, despite the lack of historical evidence recorded by the salvage team. A Ming porcelain cover dated to the Spring of 1643 helps confirm the date of the wreck. The Ming dynasty ended in 1644 and the period of chaos between between the end of the Ming Dynasty and the beginning of the Qing Dynasty is referred to as the Transitional period. Most of the cargo is comprised of Chinese blue and white porcelain with a few pieces of Blanc de Chine porcelain from Dehua in Fujian Province. The Hatcher Cargo is a vital dating tool for late Ming and early Qing porcelain.
Stock n. 19985
R and G McPherson dealers in antique Chinese porcelain
WANLI 1573 - 1620.<br>
<em>Kraak Ware.</em> stock n.  21203
WANLI 1573 - 1620.
Kraak Ware.A Late Ming Kraakware Porcelain Plate, Wanli Period c.1600. Decorated in Blue and White with Four Deer in a Landscape with Two Birds and Pine, the Border with Typical Kraak Panels of Flowers. The Back with 'Chatter Marks' from the Finishing Tool Used to Form the back.

Kraak Porcelain is a Type of Chinese Export Porcelain Produced from the Wanli period (1573-1620) until the end of the Ming Dynasty in the 1640's. Kraak ware or Kraak porcelain was the first Chinese Export Ware to arrive in Europe in large quantities. Its name does not, as had been previously thought derived from the name of Portuguese trading ships, it is possible its name derived from Irish ships called Curachs. These trading ships worked between Ireland and England, they were know to the Dutch traders who used a similar word, craquen, to describe Portuguese trading ships. However in the 16th and early 17th centuries the word Kraak was not used in the V.O.C. record or inventories to describe porcelain.

The first known time Kraak was first used as a term to describe a type of late Ming blue and white porcelain was in 1673. This was over 100 years after what we now know as Kraak porcelain was first produced, however there is some evidence that it was a term that had been in use for some time. Blue and white porcelain was exported to Europe in large quantities from the mid 16th century. It was highly prized and the Portuguese fort hard against the Dutch to keep control of this lucrative trade, but in 1602 the Dutch sold the cargo they captured from the Portuguese Carrack 'San Tiago' and two years later they sold the cargo of the 'Santa Catarina'. These ships caused a sensation, it was the first time such large amounts of Chinese blue and white porcelain had been available in Northern Europe, many of the pieces were 'gifts' rather than to be sold on the open market .

All Kraak porcelain was made at the main ceramic centre in China, Jingdezhen. It does vary in style and quality to quite a large extent, and some scholars include pieces as kraakware that others do not, so a definitive description is, I feel, rather difficult. The main group of kraak porcelain is less controversial. Normally thinly potted, often moulded, it's designs are divided into decorative panels, with reserves that might include flowers and animals, taotie masks and stylised tulips. The bases often show 'Chatter Marks'. These are ridges, that radiate from the centre of the base to the foot rim, they are caused by the potters finishing tool catching on the leather hard clay prior to glazing. When one looks at the construction, painting techniques and glazing of kraak porcelain it appears similar in many ways to some of the late Ming porcelain made for the Japanese market. I think it is quite possible that they were both made within the same kilns at Jingdezhen. Kraak porcelain also includes a few rare pieces that have the addition of underglaze copper red and there are a very few know examples of polychrome kraakware. Kraak porcelain went out of fashion at the end of the Ming Dynasty but was later revived during the reign of Kangxi (1662-1722). Swatow porcelain (c.1580-1640) was made in the kraak style but this is thicker and much cruder, the bases often show grit adhering.

For a similar Ming Dynasty Kraakware plate from the wreck of the San Diego dated 1600 see : Le San Diego, Un tresor sous la mer (Dominique Carre, Jean-Paul Desroches and Frank Goddio, Reunion des Musees Nationaux,1994. ISBN 2-7118-3135-3) page 344 cat. 116.
Stock n. 21203
R and G McPherson dealers in antique Chinese porcelain
18th CENTURY.<br>
<em>Blanc de Chine Porcelain.</em> stock n.  20542
18th CENTURY.
Blanc de Chine Porcelain.A Rare 18th Century Blanc de Chine Porcelain Pipe with Moulded Decoration.

Provenance :
R & G McPherson Antiques.
The Margaret Goldney Collection of Chinese Ceramics and Works of Art.
Stock n. 20542
R and G McPherson dealers in antique Chinese porcelain
KANGXI 1662 - 1722. <br>
<em>Blanc de Chine Porcelain.</em>
 stock n.  18712
KANGXI 1662 - 1722.
Blanc de Chine Porcelain. A Pair of Blanc de Chine Porcelain Baluster Shaped Vases. The Bases of these Lightly Potted Blanc de Chine Vases are Unglazed and the Lutting Line Shows Clearly as the Glaze has not Taken on the Lutting Line, this is Visible Just Above the Baluster of the Vases.

The porcelain known in the West as Blanc de Chine was produced 300 miles south of the main Chinese kiln complex of Jingdezhen. The term refers to the fine grain white porcelain made at the kilns situated near Dehua in the coastal province of Fujian, these kilns also produced other types of porcelain. A rather freely painted blue and white ware, porcelain with brightly coloured 'Swatow' type enamels as well as pieces with a brown iron-rich glaze. However it is the white blanc de Chine wares that have made these kilns famous. The quality and colour achieved by the Dehua potters was partly due to the local porcelain stone, it was unusually pure and was used without kaolin being added. This, combined with a low iron content and other chemical factors within the body as well as the glaze, enabled the potters to produce superb ivory-white porcelain.
Stock n. 18712
R and G McPherson dealers in antique Chinese porcelain
KANGXI 1662 - 1722.<BR>
<em>Chinese Export Porcelain.</em> stock n.  19470
KANGXI 1662 - 1722.
Chinese Export Porcelain.A Chinese Export Porcelain 'Rotterdam Riot' Plate, Kangxi c.1692-1695. Painted in Blue and White, The Base with a Chenghua Mark (Ming Dynasty 1465-1487).

The central scene is taken from a medal by Jan Smeltzing (1656-1693) after an engraving by Gerard van Loon. The Medal was struck in silver, pewter and gold (L.S.Forrer Biographical Dictionary of Medallists, Vol V, p550) despite the 1688 Dutch edict that prohibited the making, printing, and retailing of "scandalous and infamous lampoons". The Smeltzing medal was secretly set to China as a model for a large porcelain order. Howard & Ayers, China for the West, vol.I, p. 60, gives a detailed account of this riot following the execution of Cornelis Kosterman in 1690. The chief bailiff, Van Zuylen van Nijevelt, had sentenced this young guard from the Rotterdam City Hall to death in his attempt to steal some wine from the cellars for a celebration with his colleagues. Howard & Ayers illustrate, China for the West, no. 15, a severed head of Cornelis Kosterman on a funerary monument, which was taken from the reverse of the medal is show in the well of the teabowls. This pattern is usually encountered on standard 8 1/2 inch plates. Small teabowls and saucers appear to be the only other form used for this design. I have given a very precise date for this plate, as the interest in this design must have been quite ephemeral. By the time the medal was stuck, sent to China to be copied and sent back the following year, the event depicted would have been 'old news'. The scene of this riot in Rotterdam is the first depiction of a European political event on Chinese porcelain that I know of.

Provenance :
Robert McPherson Antiques
The John Drew Collection of Chinese and Japanese Ceramics.


Stock n. 19470
R and G McPherson dealers in antique Chinese porcelain
QIANLONG 1736 - 1795.<br>
<EM>Chinese Export Porcelain</em> stock n.  20772
QIANLONG 1736 - 1795.
Chinese Export PorcelainA Pair of Rare Chinese Export Porcelain Stands or Plates, Qianlong c.1760-1780. Painted with Scattered Flowers in Blue and White. The Center of the Dishes with a Square Recess.

This rare Chinese Export Porcelain form is of a type that I can not find in the literature, it was presumably made to take a square stand or bowl.

Provenance :
Wilbert Smit, Amsterdam 27th October 1988.
An American Private Collection of Chinese Export Porcelain.
Stock n. 20772
R and G McPherson dealers in antique Chinese porcelain
HATCHER CARGO c.1643.<br>
<em>Transitional Porcelain.</EM> stock n.  19963
HATCHER CARGO c.1643.
Transitional Porcelain.A Transitional Blue Glazed Stem Cup from the Hatcher Cargo c.1643.
Stock n. 19963
R and G McPherson dealers in antique Chinese porcelain
YUAN 1279 - 1368.<br>
<em>Early Blue and White Porcelain.</em> stock n.  21094
YUAN 1279 - 1368.
Early Blue and White Porcelain.A Yuan Blue and White Porcelain Jarlet, Jingdezhen Kilns c.1320 - 1368. This Early Chinese Blue and White Porcelain Jarlet is Decorated with Scrolling Flowers.

The origins of Chinese blue and white porcelain start, not in China, but in the Middle East, decoration using blue and white was originally developed in Mesopotamia. The source of the first cobalt blue pigment used in China was also not Chinese and the dynastic power in charge of China at the time, the Mongol's of the Yuan dynasty, was a foreign power. Yet blue and white porcelain will for ever be linked to China because of the ceramics produced at Jingdezhen from the beginning of the 14th century.
Blue cobalt pigment was sometime used in China during the Tang dynasty (618-907) nearly always as an additional colour in Sancai pottery but the first use on porcelain was at the start of the 14th century. It was used in a very different way, unlike the Tang where splashes of cobalt were used to add colour, the Yuan potters used it to create carefully painted designs. This would have been very difficult to achieve using the the high-flux lead-glazes of Tang pottery.
The body developed for blue and white porcelain at Jingdezhen was almost from the very beginning of exceptionally high quality, as was the glaze, which was midway between a Qingbai and Shufu glaze. This true lime-alkaline glaze was less fluid than Qingbai glazes so the blue was less likely to run and less opaque than Shufu glazes so the painting appeared more brilliant. Most of the imported cobalt blue pigment used for Chinese blue and white porcelain of the 14th and 15th centuries came from Kashan in Persia.

For further reading about early Chinese blue and white porcelain see : Chinese Glazes, Their Origins, Chemistry and Recreation (Nigel Wood, A & C Black, London, 1999).


Stock n. 21094
R and G McPherson dealers in antique Chinese porcelain
HATCHER CARGO c.1643<br>
<em>Transitional Porcelain.</EM>
 stock n.  19975
HATCHER CARGO c.1643
Transitional Porcelain. Transitional Porcelain. A Late Ming or Very Early Qing Dynasty, Late Chongzhen or Early Shunzhi Blue and White Cup Decorated with Dragons c.1643.

The dating of the Porcelain from the Hatcher Cargo is based on several elements. Firstly, the ceramics recovered are of a coherent group, in other words they appear to all have been made at the same time. Blue and white Porcelain dishes with a coiled serpent that have been recovered from the Hatcher Cargo match an important dish from the fall of the Ming dynasty, formerly in the Percival David Foundation, now at the British Museum London, which can be dated to 1644 - 1645. However, the most important dating reference are the two cover recovered from the wreck datable by inscription to the spring of 1643. The Ming dynasty officially ended in 1644. R and G McPherson dealers in antique Chinese porcelain
Stock n. 19975
R and G McPherson dealers in antique Chinese porcelain
HATCHER CARGO c.1643.<BR>
<em>Transitional Porcelain.</em> stock n.  20017
HATCHER CARGO c.1643.
Transitional Porcelain.A) Miniature Transitional Blue and White Porcelain Dish from the Hatcher Cargo c.1643. Decorated with Flowers.

B) Miniature Transitional Blue and White Porcelain Dish from the Hatcher Cargo c.1643. Decorated with Flowers.
Stock n. 20017
R and G McPherson dealers in antique Chinese porcelain
TIANQI 1621-1627 or CHONGZHEN 1628-1644<BR>
<EM>Transitional Porcelain.</em> stock n.  21005
TIANQI 1621-1627 or CHONGZHEN 1628-1644
Transitional Porcelain.A Late Ming Porcelain, Tianqi 1621-1627 or Chongzhen Period 1628-1644, Blue and White Ko-Sometsuke Dish Made for the Japanese Market. Decorated with Peony, Lotus and other Flowers, the Base with an Apocryphal Ming Mark, a Six Character of Xuande 1426-1435.

Ko-Sometsuke is a term used to describe Chinese blue and white porcelain made for Japan. This late Ming porcelain was made from the Wanli period (1573-1620) and ended in the Chongzhen period (1628-1644), the main period of production being the 1620'2 and 1630's. The porcelain objects produced were made especially for the Japanese market, both the shapes and the designs were tailored to Japanese taste, the production process too allowed for Japanese aesthetics to be included in the finished object. Its seams firing faults were added, repaired tears in the leather-hard body were too frequent to not, in some cases, be deliberate. These imperfections as well as the fritting Mushikui (insect-nibbled) rims and kiln grit on the footrims all added to the Japanese aesthetic. The shapes created were often expressly made for the Japanese tea ceremony meal, the Kaiseki, small dishes for serving food at the tea ceremony are the most commonly encountered form. Designs, presumably taken from Japanese drawings sent to China, are very varied, often using large amount of the white porcelain contrasting well with the asymmetry of the design.
Stock n. 21005
R and G McPherson dealers in antique Chinese porcelain
HATCHER CARGO c.1643.<BR>
<em>Transitional Porcelain.</em> stock n.  19277
HATCHER CARGO c.1643.
Transitional Porcelain.Hatcher Cargo, Transitional Porcelain c.1643. A Hatcher Cargo Kraak Porcelain Blue and White Dish.
Label to Base : The Hatcher Collection Christie's Amsterdam 14-03-1984.

The Hatcher Cargo was the first shipwreck cargo to come on to the market. It was sold in three auctions in Christie's Amsterdam in 1984 and 1985. It is a very important cargo of shipwreck ceramics, despite the lack of historical evidence recorded by the salvage team. A porcelain cover dated to the Spring of 1643 helps confirm the date of the wreck. The Ming dynasty ended in 1644 and the period of chaos between between the end of the Ming and the beginning of the Qing dynasty is referred to as the Transitional period. The Hatcher Cargo is a vital dating tool for late Ming and early Qing porcelain.

Kraak Porcelain is a Type of Chinese Export Porcelain Produced from the Wanli period (1573-1620) until the end of the Ming Dynasty in the 1640's. Kraak ware or Kraak porcelain was the first Chinese Export Ware to arrive in Europe in large quantities. Its name does not, as had been previously thought derived from the name of Portuguese trading ships, it is possible its name derived from Irish ships called Curachs. These trading ships worked between Ireland and England, they were know to the Dutch traders who used a similar word, craquen, to describe Portuguese trading ships. However in the 16th and early 17th centuries the word Kraak was not used in the V.O.C. record or inventories to describe porcelain. It appears the earliest recorded use of the word Kraak relating to porcelain is in the 1670's.

For similar Hatcher Cargo Kraak porcelain dishes see : Fine And Important Late Ming And Transitional Porcelain, recently recovered from an Asian vessel in the South China Sea. Property of Captain Michael Hatcher. Christie's Amsterdam 14th March 1984.
Stock n. 19277
R and G McPherson dealers in antique Chinese porcelain
HATCHER CARGO c.1643.<BR>
<em>Transitional Porcelain.</em> stock n.  19804
HATCHER CARGO c.1643.
Transitional Porcelain.A Transitional Porcelain Cup from the Hatcher Cargo, Chenghua Mark to the Base (1465-1487).

The dating of the Porcelain from the Hatcher Cargo is based on several elements. Firstly, the ceramics recovered are of a coherent group, in other words they appear to all have been made at the same time. Blue and white Porcelain dishes with a coiled serpent that have been recovered from the Hatcher Cargo match an important dish from the fall of the Ming dynasty, formerly in the Percival David Foundation, now at the British Museum London, which can be dated to 1644 - 1645. However, the most important dating reference are the two cover recovered from the wreck datable by inscription to the spring of 1643. The Ming dynasty officially ended in 1644.
Stock n. 19804
R and G McPherson dealers in antique Chinese porcelain
ARITA c.1680 - 1720.<BR>
<EM>Japanese Porcelain</em> stock n.  21147
ARITA c.1680 - 1720.
Japanese PorcelainA Japanese Blue and White Porcelain Dish in the Kraak Style. Produced at the Arita Kiln in North-Western Kyūshū c.1680-1720. Decorated with a Deer in a Landscape Next to a Pine Tree Growing Out of the Rocks. The Borders Include Taotie Masks and Flowers.

Kraak Porcelain is a type of Chinese Export Porcelain produced from the Ming Dynasty reign of emperor Wanli (1573-1620) until the end of the Ming Dynasty in the 1640's. Kraak ware was exported to Japan, Europe and the Near East, hardly any pieces were retained in China. It was copied at Japanese Porcelain factories from as early as c.1660.

For a Japanese Kakiemon enamel dish of this shape and design, previously from R & G McPherson Antique, now in a private Australian collection see : The Japanese Aesthetic, Three Centuries of Japanese Porcelain Design and Western Interpretations (The Ceramic and Glass Circle of Australia, 2006)pages 18 and 19 item 33.
Stock n. 21147
R and G McPherson dealers in antique Chinese porcelain
WANLI 1573 - 1620.<br>
<EM>Ming Porcelain</em>. stock n.  21016
WANLI 1573 - 1620.
Ming Porcelain.A Ming Blue and White Porcelain Plate, Early Wanli c.1575-1600. Decorated with a Fenghuang, the Chinese Phoenix, in a Landscape with Border Containing Precious Buddhist Objects Tied with Ribbons. A Poorly Drawn Seal-mark to the Base, Sometimes Called a 'Shop Mark'.

Fenghuang are mythological birds of East Asia that reign over all other birds. The males are called Feng and the females Huang. In modern times, however, such a distinction of gender is often no longer made and the Feng and Huang are blurred into a single feminine entity so that the bird can be paired with the Chinese dragon, which has male connotations. The Fenghuang is also called the 'August Cockerel' since it sometimes takes the place of the cockerel in the Chinese Zodiac. In the West, it is commonly referred to as the Chinese phoenix. The Fenghuang has very positive connotations. It is a symbol of high virtue and grace. The Fenghuang also symbolizes the union of yin and yang.
In ancient China, they can often be found in the decorations for weddings or royalty, along with dragons. This is because the Chinese considered the dragon and phoenix symbolic of blissful relations between husband and wife, another common yin and yang metaphor.
In some traditions it appears in good times but hides during times of trouble, while in other traditions it appeared only to mark the beginning of a new era. In China and Japan it was a symbol of the imperial house, and it represented 'fire, the sun, justice, obedience, and fidelity'.

Provenance :
Henry Moog Antiques, Atlanta. U.S.A.
The Tom Lurie Collection of Chinese Export Porcelain. label to base, collection number 286. 25th June 1986.
Stock n. 21016
R and G McPherson dealers in antique Chinese porcelain
JIAJING 1522 - 1566.<br>
<em>Jiajing Mark and of the Period.</em> stock n.  21244
JIAJING 1522 - 1566.
Jiajing Mark and of the Period.A Ming Porcelain Jar, Jiajing Mark and Period 1522 - 1566. The Square Baluster Shaped Jar and Cover Decorated in Blue and White. The Sides Painted with a Single Bird Among Four Different Fruiting Branches Including Pomegranate and Peach. The Shoulder Decorated with Buddhist treasures Tied with Ribbons. The Base with a Rectangular Double Lined Vertical Jiajing Six Character Mark and of the Period (1522-1566).

Despite the Jiajing six character mark this is a non-imperial piece. During the late Ming Dynasty there was often a more flexible use of Imperial marks. This is, I think, especially true of porcelain made during the Jiajing period.

From the beginning of Jiajing's reign, he was infatuated with young women and Taoist pursuits. He was known to be a cruel and self-aggrandizing emperor and he also chose to reside outside of the Forbidden city in Beijing so he could live in isolation while ignoring state affairs. Jiajing employed incapable individuals such as Zhang Cong and Yan Gao, on whom he thoroughly relied to handle affairs of state. He abandoned the practice of seeing his ministers altogether from 1539 onwards and for a period of almost 25 years refused to give official audiences, choosing instead to relay his wishes through eunuchs and officials. This eventually led to corruption at all levels of the Ming government. Jiajing's ruthlessness also led to an internal plot by his concubines to assassinate him in 1542 by strangling him while he slept. The plot was ultimately foiled and all of the concubines involved were summarily executed.
Stock n. 21244
R and G McPherson dealers in antique Chinese porcelain
TIANQI 1621-1627 or CHONGZHEN 1628-1644<BR>
<EM>Transitional Porcelain.</em> stock n.  21058
TIANQI 1621-1627 or CHONGZHEN 1628-1644
Transitional Porcelain.A Late Ming Porcelain Blue and White Ko-Sometsuke Dish Made for the Japanese Market. Tianqi (1621-1627)or Chongzhen (1628-1644) Period. Decorated 'V' Shaped Landscape Panels and Cartouches of Flowers. The Center is Incised with Lotus, the Back with an Apocryphal Ming Mark, a Six Character Chenghua Mark (1465-1487).

Ko-Sometsuke is a term used to describe Chinese blue and white porcelain made for Japan. This late Ming porcelain was made from the Wanli period (1573-1620) and ended in the Chongzhen period (1628-1644), the main period of production being the 1620'2 and 1630's. The porcelain objects produced were made especially for the Japanese market, both the shapes and the designs were tailored to Japanese taste, the production process too allowed for Japanese aesthetics to be included in the finished object. Its seams firing faults were added, repaired tears in the leather-hard body were too frequent to not, in some cases, be deliberate. These imperfections as well as the fritting Mushikui (insect-nibbled) rims and kiln grit on the footrims all added to the Japanese aesthetic. The shapes created were often expressly made for the Japanese tea ceremony meal, the Kaiseki, small dishes for serving food at the tea ceremony are the most commonly encountered form. Designs, presumably taken from Japanese drawings sent to China, are very varied, often using large amount of the white porcelain contrasting well with the asymmetry of the design.
Stock n. 21058
R and G McPherson dealers in antique Chinese porcelain
YONGZHENG 1723 - 1735.<BR>
<EM>Chinese Taste Porcelain</em> stock n.  21047
YONGZHENG 1723 - 1735.
Chinese Taste PorcelainA Fine Yongzheng Blue and White Porcelain Dish. Decorated in the Chinese Taste with a Boy Riding an Ox. The Potting is Very Substantial, the Thick Foot Rim is of Square Section with Beveled Edges. The Base with a Four Character Commendation Mark Which can be read as As the Heart Enjoys Precious Things.

For a very dish of this pattern see : The Philadelphia 1949 Exhibition of Ming Blue and White, with The Oriental Ceramics Society (The Oriental Ceramic Society 1954, Re-printed by H.F. Collins &Co 1985) page 155 item 237. Described as Early K'ang Hsi (Kangxi) Period.

Provenance :
The Clive D. Collins Collection of Chinese Ceramics and Works of Art.
Stock n. 21047
R and G McPherson dealers in antique Chinese porcelain
KANGXI 1662 - 1722.<br>
<em>Transitional Porcelain</em> stock n.  21268
KANGXI 1662 - 1722.
Transitional PorcelainA Late Transitional Blue and White Dish, Early Kangxi Period c.1662-1674. Decorated with a Pair of Fenghuang, Chinese Phoenix Among Rocks and Flowering Tree Peony. The Base with a 'Channel Foot', a Type of Double Footrim with the Center Being Concave and Unglazed. The Back with Buddhist Treasures Tied with Ribbon.
Stock n. 21268
R and G McPherson dealers in antique Chinese porcelain
KANGXI 1662 - 1722.<BR>
<em>Chinese Export Porcelain.</em> stock n.  16957
KANGXI 1662 - 1722.
Chinese Export Porcelain.A Kangxi Blue and White Porcelain Hookah Base (reduced) with a 19th Century Silver Mount.

A hookah (Arabic: حقہ) is a multi-stemmed, often times glass or ceramics based water pipe device for smoking, originating from India. From India, it was made popular as the form we now see it in today in Turkey. A hookah operates by water-filtration and indirect heat. It can be used for smoking many substances, such as herbal fruits, tobacco, or cannabis.
Stock n. 16957
R and G McPherson dealers in antique Chinese porcelain
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R and G McPherson dealers in Antique Chinese Porcelain London Antique Chinese porcelain Yongzheng porcelain CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN, Chenghua porcelain CHINESE EXPORT PORCELAIN CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Hongzhi Porcelain CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Zhengde Porcelain KANGXI BLUE AND WHITE PORCELAIN CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN CHINESE EXPORT PORCELAIN MING PORCELAIN Longqing Porcelain Kangxi porcelain CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Wanli Porcelain KANGXI BLUE AND WHITE PORCELAIN CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Taichang Porcelain Kangxi Porcelain CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN Tianqi Porcelain CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN 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R and G McPherson dealers in antique chinese porcelain london ANTIQUE MING PORCELAIN, ANTIQUE KANGXI BLUE AND WHITE PORCELAIN, BLANC DE CHINE PORCELAIN, CHINESE EXPORT PORCELAIN, FAMILLE VERTE PORCELAIN, ANTIQUE CHINESE PORCELAIN LONDON, CHINESE EXPORT PORCELAIN, MING PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE antique PORCELAIN CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN, BLANC DE CHINE PORCELAIN, CHINESE EXPORT PORCELAIN, FAMILLE VERTE PORCELAIN, ANTIQUE CHINESE PORCELAIN LONDON, CHINESE EXPORT PORCELAIN, MING PORCELAIN, CHINESE EXPORT PORCELAIN, CHINESE EXPORT PORCELAIN, antique KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN KAKIEMON PORCELAIN, CHINESE EXPORT PORCELAIN, ANTIQUE KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN R and G McPherson dealers in antique chinese porcelain london MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN, BLANC DE CHINE PORCELAIN, CHINESE EXPORT PORCELAIN, FAMILLE VERTE PORCELAIN, R and G McPherson dealers in Antique Chinese Porcelain London Antique Chinese porcelain Yongzheng porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN, Chenghua porcelain MING PORCELAIN Hongzhi Porcelain MING PORCELAIN Zhengde Porcelain MING PORCELAIN Jiajing Porcelain MING PORCELAIN Longqing Porcelain Kangxi porcelain CHINESE EXPORT PORCELAIN 1567-1572 MING PORCELAIN Wanli Porcelain KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Taichang Porcelain Kangxi Porcelain CHINESE EXPORT PORCELAIN Tianqi Porcelain KANGXI BLUE AND WHITE PORCELAIN CHINESE EXPORT ANTIQUE CHINESE PORCELAIN LONDON, CHINESE EXPORT PORCELAIN, MING PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, ANTIQUE BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN, BLANC DE CHINE PORCELAIN, ANTIQUE CHINESE EXPORT PORCELAIN, ANTIQUE FAMILLE VERTE PORCELAIN, ANTIQUE CHINESE PORCELAIN LONDON, CHINESE EXPORT PORCELAIN, MING PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN R and G McPherson dealers in antique chinese porcelain london MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN, BLANC DE CHINE PORCELAIN, CHINESE EXPORT PORCELAIN, FAMILLE VERTE PORCELAIN, ANTIQUE CHINESE PORCELAIN LONDON, CHINESE EXPORT PORCELAIN, MING PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN ANTIQUE MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN, BLANC DE CHINE PORCELAIN, CHINESE EXPORT PORCELAIN, FAMILLE VERTE PORCELAIN, ANTIQUE CHINESE PORCELAIN LONDON, CHINESE EXPORT PORCELAIN, MING PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN KANGXI BLUE AND WHITE PORCELAIN ROBERT AND GEORGINA McPHERSON Antique chinese porcelain R and G McPherson dealers in Antique Chinese Porcelain London Antique Chinese porcelain Yongzheng porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN, Chenghua porcelain MING PORCELAIN Hongzhi Porcelain MING PORCELAIN Zhengde Porcelain MING PORCELAIN Jiajing Porcelain MING PORCELAIN Longqing Porcelain Kangxi porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN Wanli Porcelain KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Taichang Porcelain Kangxi Porcelain CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN Tianqi Porcelain CHINESE EXPORT Yongzheng porcelain KANGXI BLUE AND WHITE PORCELAIN Qianlong porcelain 1908-1912 CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN Neolithic pottery : pottery Shang pottery Western Zhou pottery Eastern Zhou pottery Spring and Autumn pottery Warring States pottery KANGXI BLUE AND WHITE PORCELAIN Han Dynasty CERAMICS pottery KANGXI BLUE AND WHITE PORCELAIN Han pottery Six Dynasties pottery Tang Dynasty pottery Five Dynasties pottery Song Dynasty porcelain Northern Song CERAMICS porcelain Southern Song CERAMICS porcelain) Jin Dynasty porcelain CERAMICS Yuan Dynasty porcelain KANGXI BLUE AND WHITE PORCELAIN Ming Dynasty porcelain 1368 - 1644. 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Hongwu porcelain Jianwen porcelain KANGXI BLUE AND WHITE PORCELAIN Yongle porcelain KANGXI BLUE AND WHITE PORCELAIN Hongxi porcelain KANGXI BLUE AND WHITE PORCELAIN Zhengtong porcelain Jingtai porcelain Chenghua porcelain Hongzhi porcelain Zhengde porcelain Jiajing porcelain Longqing porcelain Taichang porcelain 1620 Tianqi porcelain Chongzhen porcelain Shunzhi porcelain Kangxi porcelain Yongzheng porcelain Qianlong porcelain CHINESE EXPORT PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN KAKIEMON PORCELAIN, CHINESE EXPORT CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN KANGXI BLUE AND WHITE PORCELAIN BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN R and G McPherson dealers in Antique Chinese Porcelain London Antique Chinese porcelain Yongzheng porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN, Chenghua porcelain MING PORCELAIN Hongzhi Porcelain MING PORCELAIN Zhengde Porcelain KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Jiajing Porcelain KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Longqing Porcelain Kangxi porcelain CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Wanli Porcelain KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Taichang Porcelain Kangxi Porcelain CHINESE EXPORT PORCELAIN Tianqi Porcelain CHINESE EXPORT

ROBERT AND GEORGINA McPHERSON Antique Chinese porcelain Yongzheng porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN Qianlong porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN Neolithic pottery Western Zhou pottery Eastern Zhou pottery Warring States pottery Han Dynasty pottery Western Han pottery Eastern Han pottery Six Dynasties pottery Sui pottery Tang Dynasty pottery MING PORCELAIN Song Dynasty porcelain MING PORCELAIN Song porcelain KANGXI BLUE AND WHITE PORCELAIN Song porcelain Jin Dynasty porcelain MING PORCELAIN Yuan Dynasty porcelain MING PORCELAIN Ming Dynasty porcelain 1368 - 1644. Hongwu porcelain KANGXI BLUE AND WHITE PORCELAIN Jianwen porcelain Yongle porcelain Hongxi porcelain MING PORCELAIN Zhengtong porcelain MING PORCELAIN KANGXI BLUE AND WHITE PORCELAIN Jingtai porcelain MING PORCELAIN KANGXI BLUE AND WHITE PORCELAIN Chenghua porcelain MING PORCELAIN Hongzhi porcelain MING PORCELAIN Zhengde porcelain R and G McPherson dealers in Antique Chinese Porcelain London Antique Chinese porcelain Yongzheng porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN, Chenghua porcelain MING PORCELAIN Hongzhi Porcelain KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Zhengde Porcelain KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Jiajing Porcelain KANGXI BLUE AND WHITE PORCELAIN MING PORCELAIN Longqing Porcelain Kangxi porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN Wanli Porcelain MING PORCELAIN Taichang Porcelain Kangxi Porcelain CHINESE EXPORT PORCELAIN 1620 Tianqi Porcelain 1621-1627 CHINESE EXPORT Jiajing porcelain KANGXI BLUE AND WHITE PORCELAIN Longqing porcelain KANGXI BLUE AND WHITE PORCELAIN Wanli porcelain KANGXI BLUE AND WHITE PORCELAIN Taichang porcelain KANGXI BLUE AND WHITE PORCELAIN Tianqi porcelain KANGXI BLUE AND WHITE PORCELAIN Chongzhen porcelain KANGXI BLUE AND WHITE PORCELAIN R and G McPherson dealers in Antique Chinese Porcelain London Antique Chinese porcelain Yongzheng porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN, Chenghua porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN Hongzhi Porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN Zhengde Porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN Jiajing Porcelain MING PORCELAIN Longqing Porcelain Kangxi porcelain CHINESE EXPORT PORCELAIN MING PORCELAIN MING PORCELAIN Taichang Porcelain Kangxi Porcelain CHINESE EXPORT PORCELAIN Tianqi Porcelain CHINESE EXPORT Shunzhi PORCELAIN Kangxi porcelain Yongzheng porcelain Neolithic pottery Western Zhou pottery CHINESE EXPORT PORCELAIN Eastern Zhou pottery Warring States pottery CHINESE EXPORT PORCELAIN Han Dynasty pottery Western Han pottery Eastern Han pottery Sui pottery Tang Dynasty pottery Five Dynasties pottery Liao pottery Song Dynasty CERAMICS porcelain Song CERAMICS porcelain Song porcelain CHINESE EXPORT PORCELAIN Jin Dynasty porcelain Yuan Dynasty porcelain Ming Dynasty porcelain Hongwu porcelain CHINESE EXPORT PORCELAIN Jianwen porcelain Yongle porcelain Hongxi porcelain Zhengtong porcelain Jingtai porcelain Chenghua porcelain Hongzhi porcelain Zhengde porcelain CHINESE EXPORT PORCELAIN Jiajing porcelain Longqing porcelain Wanli porcelain CHINESE EXPORT PORCELAIN Taichang porcelain Tianqi porcelain CHINESE EXPORT PORCELAIN Chongzhen porcelain Shunzhi porcelain Kangxi porcelain Yongzheng porcelain Qianlong porcelain CHINESE EXPORT PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN KAKIEMON PORCELAIN, CHINESE EXPORT CHINESE EXPORT PORCELAIN KAKIEMON PORCELAIN, ANTIQUE BLANC DE CHINE PORCELAIN MING PORCELAIN, KANGXI BLUE AND WHITE PORCELAIN PORCELAIN, CHINESE PORCELAIN KAKIEMON PORCELAIN, Shunzhi PORCELAIN CHINESE EXPORT PORCELAIN Kangxi porcelain CHINESE EXPORT PORCELAIN CHINESE EXPORT PORCELAIN Yongzheng porcelain CHINESE EXPORT PORCELAIN CHINESE EXPORT PORCELAIN 1796-1820 ANTIQUE BLANC DE CHINE PORCELAIN MING PORCELAIN, CHINESE EXPORT PORCELAIN, KAKIEMON PORCELAIN, BLANC DE CHINE PORCELAIN MING PORCELAIN, Shunzhi PORCELAIN CHINESE EXPORT PORCELAIN Kangxi porcelain CHINESE EXPORT PORCELAIN porcelain CHINESE EXPORT PORCELAIN Yongzheng porcelain CHINESE EXPORT PORCELAIN Qianlong CHINESE EXPORT PORCELAIN CHINESE EXPORT PORCELAIN KANGXI BLUE AND WHITE PORCELAIN KANGXI BLUE AND WHITE PORCELAIN BLANC DE CHINE PORCELAIN MING PORCELAIN, ANTIQUE KANGXI BLUE AND WHITE PORCELAIN

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