Pair of Miniature Qingbai Saucers Song 12th or 13th Century. Robert McPherson Antiques - 25211.
Pair of Miniature Qingbai Saucers Song 12th or 13th Century. Robert McPherson Antiques - 25211.Pair of Miniature Qingbai Saucers Song 12th or 13th Century. Robert McPherson Antiques - 25211.Pair of Miniature Qingbai Saucers Song 12th or 13th Century. Robert McPherson Antiques - 25211.Pair of Miniature Qingbai Saucers Song 12th or 13th Century. Robert McPherson Antiques - 25211.

Pair of Miniature Qingbai Saucers Song 12th or 13th Century.

A Pair Song Qingbai Ware Miniature Porcelain Saucers 12th century or possibly 13th Century, probably from a kiln at Jingdezhen, perhaps Hutian. The flower shaped Qingbai porcelain saucers have raised lines to indicate individual petals. The porcelain is of high quality and the translucent Qingbai glaze is of a green-blue tone.

RESERVED UNTIL MONDAY SEPTEMBER 1 st.

£875.00



Condition: In excellent condition, very minor wear.

Size: Diameter 5.8 cm (2 1/2 inches).

Provenance:A Private Collection From Hong Kong. Sotheby's London, Robert McPherson Antiques. The John Drew Collection of Chinese and Japanese Ceramics.

References:

Stock number: 25211

Qingbai Ware :
The earliest known qingbai wares were produced in Jingdezhen in Jiangxi province around the late 10th century and are characterized by faint pale-blue glazes on low, wide forms. Qingbai continued to be enormously popular and highly produced throughout the Song dynasty (960-1279) and was prevalent in the Yuan dynasty (1279-1368), but slackened during the Ming dynasty (1368-1644) until being replaced by tianbai, ‘sweet white’ ware. The initial forms of qingbai were simple bowls and dishes, but by the mid-Northern Song the forms had advanced to include a wide variety of objects used for daily life such as ewers, boxes, incense burners, granary models, vases, jars, sculptures, cups, cupstands, water droppers, lamps, grave wares, and tools for writing and painting. The precedent for the majority of these forms is found in earlier metalwork and lacquer and Rawson has suggested that the imitation of silver was the primary force behind the production of white wares, including qingbai.

The John Drew Collection of Chinese and Japanese Ceramics :
John Drew was born in 1933 in Tideswell, Derbyshire, where his father was curate. The family moved to Norfolk whilst he was still a baby and his father became the rector of the parish of Intwood and Keswick. He was educated at Sedbergh School and after National Service in the R.A.F. being taught Russian, he went to Queens College, Oxford to read Greats (Classics). He spent nearly all his working life in various African countries as an archivist, moving to a post at Cape Town University in 1978. He remained in Cape Town after his retirement until his death in 2006. He had a great love of the English countryside (but not the climate) and this is shown in many of the pieces he collected. His taste was varied and ranged from Neolithic right through to the 18th Century. When we sent photograph to his home in Cape Town of pieces we thought he might be interested in, he would write long funny well observed letters back, wanting to add many of the items to his growing collection. Over the years we got to know him better and better, and during the last few years it was very rare for him to not want all the pieces we offered him. We knew his taste, even though his taste was so varied. This was in no small part because he had a very good eye and it was a pleasure finding things that interested him, because they were also very interesting to us. He never got to put his collection on display, something he hoped to do while on retirement in England, so it is with a mixture of pleasure and sadness that we offer these pieces from his collection. Each piece has a John Drew collection label, so when the collection is split up there will be some lasting record of the love and hard work he put into his two decades of collecting.

Stock number: 25211.