MEISSEN c.1740 – 1745 German Hard-Paste Porcelain

An 18th Century Meissen Porcelain Teabowl and Saucer c.1740-1745. Decorated with Continuous Scenes Besides Rivers. The Saucer with Well Dressed Figures Congregating Around an Obelisk with Tall Trees Below an Expansive Open Sky with Birds in Flight, the Design is Framed by Two Iron-Red Lines. The Tea Cup with a Ruined Tower and Figures by Barrels. The Well of the Cup with a Fortified Tower Jutting out on a Promontory with Small Vessels Sailing Near by. The Bases with a Crossed Swords Mark in Underglaze Blue for Meissen, Impressed Numerals and Gilder`s Marks.


In excellent condition, a small amount of minor rubbing.
Diameter saucer : 13 cm (5 inches)
The Alice and Murray Braunfeld Collection, Sold Sotheby`s New York, 21st May 2004, lot 205 (part). The Marouf Collection, Part II. Bonham`s London, 2nd May 2013, lot 69.
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Meissen Porcelain :
Meissen porcelain was the first hard-paste porcelain, or true porcelain to be developed in Europe. Development of this new hard-paste porcelain by Ehrenfried Walther von Tschirnhaus started in 1707. When Tschirnhaus suddenly died, the recipe apparently was handed over to Böttger, who within one week announced to the Elector that he could make porcelain. Böttger refined the formula and with some Dutch co-workers, experienced in firing and painting tiles, the stage was set for the manufacturing of porcelain. In 1709, the Elector established the first Meissen porcelain factory, placed Böttger`s laboratory at Albrechtsburg castle in Meissen and production started officially in 1710. In 1720 Johann Gregorius Höroldt became the director and introduced brilliant colours which made Meissen porcelain famous. The next sculptor, Johann Jakob Kirchner, was the first to make large-scale statues and figurines, especially of Baroque saints. His assistant was Johann Joachim Kaendler; in 1733 Kirchner resigned, and Kaendler took over as chief "modelmaster". He became the most famous of the Meissen sculptors. Under his direction Meissen produced the series of small figurines, often depicting scenes of gallantry, which brought out the best of the new material. His menagerie of large-scale animals, left in the white, are some of the high points of European porcelain manufacture. His work resulted in the production of exquisite figurines in the rococo style that influenced porcelain making in all of Europe. Supported by assistants like Johann Friedrich Eberlein and Peter Reinecke, he worked until his death in 1775. In 1756, during the Seven Years` War, Prussian troops occupied Meissen, giving Frederick II of Prussia the opportunity to relocate some of the artisans to establish the Königliche Porzellan Manufaktur Berlin. With the changing tastes of the neoclassical period and the rise of Sèvres porcelain in the 1760s, Meissen had to readjust its production, and in the reorganization from 1763, C.W.E. Dietrich of the Dresden Academy became artistic director and Michel-Victor Acier from France became the modelmaster. The practice of impressing numerals that correspond to moulds in the inventory books began in 1763. Sèvres styles and ventures into Neoclassicism, such as matte bisque wares that had the effect of white marble, marked the factory`s output under Count Camillo Marcolini, from 1774.