Unusual Inscribed Ming Blue and White Porcelain Dish

1621 - 1627

An Unusual Inscribed Ming Blue and White Porcelain Dish, Transitional Period, Tianqi 1621-1627.

The central scene shows three geese in the foreground with a fourth goose flying above them, next to it is a four character inscription which can be translated as “May Your Name be Inscribed on the Wall of the Wild Goose Pagoda in Chang`An”. The promontory in the distance shows a pagoda near another building. The scene below, which is upside down, has another four line verse that give the impression of a reflection of the pagoda above. This can loosely be translated as “May You Enjoy the Imperial Spring Banquet in the Apricot Grove“. The flowering plant next to this inscription is apricot with three swallows flying above. The indented cavetto is painted with a scrolling lotus against a blue ground. The outer border is of Greek key against a pale blue ground.

The first inscription “May Your Name be Inscribed on the Wall of the Wild Goose Pagoda in Chang`An” relates to a custom started in the Tang Dynasty (618-907). Successful candidates for the highest level of the Jinshi civil service examination had their names inscribed on the wall of the Wild Goose Pagoda in the old Tang capital Chang`an. The second inscription “May You Enjoy the Imperial Spring Banquet in the Apricot Grove” refers to the banquet held near the Wild Goose Pagoda. This inscription is reinforced through a rebus involving spring swallows and apricot blossom. This information comes from the book by the late Sir Michael Butler : Late Ming, Chinese Porcelain from the Butler Family Collections (Sir Michael Butler, Museum d`Histoire et d`Art, Luxembourg, 2008. ISBN 978-2-87985-029-0) page 67.

SOLD

Condition
In excellent condition. Typical Mushikui (insect-nibbled) rim and uneven glaze.
Size
Diameter 21.5 cm (8 1/2 inches)
Provenance
N/A
Stock number
N/A
References
A dish of this design but with a somewhat different arrangement is illustrated in the book by the late Sir Michael Butler : Late Ming, Chinese Porcelain from the Butler Family Collections (Sir Michael Butler, Museum d`Histoire et d`Art, Luxembourg, 2008. ISBN 978-2-87985-029-0) page 67.

Photos

Information

Inscribed Ming Blue and White Porcelain Dishes of this Design

Sold by Robert McPherson Antiques

An Unusual Inscribed Ming Blue and White Porcelain Dish of  Transitional Period, Tianqi 1621-1627
An Unusual Inscribed Ming Blue and White Porcelain Dishes of  Transitional Period, Tianqi 1621-1627

 

An Unusual Inscribed Ming Blue and White Porcelain Dish of  Transitional Period, Tianqi 1621-1627
An Unusual Inscribed Ming Blue and White Porcelain Dishes of  Transitional Period, Tianqi 1621-1627

 

An Unusual Inscribed Ming Blue and White Porcelain Dish of Transitional Period, Tianqi 1621-1627
An Unusual Inscribed Ming Blue and White Porcelain Dishes of  Transitional Period, Tianqi 1621-1627

 

A Related Transitional Porcelain Dish

Sold by Robert McPherson Antiques

Ming Blue and White Porcelain Dishes of  Transitional Period, Tianqi 1621-1627
Ming Blue and White Porcelain Dish of Transitional Period, Tianqi 1621-1627

 

Ming Porcelain for Japan :
During the late Ming Period the Chinese made a large among of porcelain for the Japanese market, it was made from the Wanli period (1573-1620) and ended in the Chongzhen period (1628-1644), the main period of production being the 1620`2 and 1630`s. The porcelain objects produced were made especially for the Japanese market, both the shapes and the designs were tailored to Japanese taste, the production process too allowed for Japanese aesthetics to be included in the finished object. Its seams firing faults were added, repaired tears in the leather-hard body were too frequent to not, in some cases, be deliberate. These imperfections as well as the fritting Mushikui (insect-nibbled) rims and kiln grit on the footrims all added to the Japanese aesthetic. The shapes created were often expressly made for the Japanese tea ceremony meal, the Kaiseki, small dishes for serving food at the tea ceremony are the most commonly encountered form. Designs, presumably taken from Japanese drawings sent to China, are very varied, often using large amount of the white porcelain contrasting well with the asymmetry of the design.

The Transitional Period :
The roots of this unsettled period starts during the later part of Wanli`s reign (1573-1620). At the begging of his reign China was doing very well, new crops from the Americas such as peanuts, maize and sweet potatoes increased food production, while simplified taxes helped the state run smoothly. But this was not due to Wanli`s enlightened reign, but to his Mother championing a man that was to become the Ming dynasties most able minister, Zhang Zhuzheng (1525—1583). Wanli became resentful of Zhuzheng`s control but upon his death became withdrawn from court life. Between 1589 to 1615 he didn`t appear at imperial audiences, leaving a power vacuum that was filled by squabbling ministers. Mongols from the North raided as Japan invaded Korea. Wanli re-opened the silver mines and imposed new taxes but the money was lost due to corruption, as well as being frittered away by the indulgent Emperor himself . The next emperor of Ming China, Tianqi (1621-1627), was bought up in this self indulgent disorganised environment, at the very young age 15 his short reign started. He didn`t stand a chance. Tianqi made the mistake of entrusting eunuch Wei Zhongxian (1568-1627) who Anna Paludan in her excellent book “Chronicle of the Chinese Emperors” (Thames and Hudson, 1998) describes as “a gangster of the first order”. Tianqi was deemed to have lost the Mandate of heaven by the Ming people. Tianqi`s younger brother, the last of the Ming Emperors, Chongzhen (1628-1644), was not able to save the situation. The systems of administration had broken down, corruption was rife and so when a sever famine broke out in 1628 nothing much could be done. Anna Paludan describes the tragic end to the great Ming Dynasty “The final drama was worthy of a Greek tragedy. The emperor called a last council in which `all were silent and many wept`, the imperial troops fled or surrendered, and the emperor, after helping his two sons escape in disguise, got drunk and rushed through the palace ordering the women to kill themselves. The empress and Tianqi`s widow committed suicide; the emperor hacked off the arm of one daughter before killing her sister and the concubines. At dawn he laid his dragon robe aside and dressed in purple and yellow, with one foot bare, climbed the hill behind the now silent palace and hanged himself on a locust tree”. The Great Wall of China, started 2,000 years ago was built to protect China from the Northern barbarian hoards, it was often tested and sometimes failed. The Jin people invaded China, ruling the North between 1115 and 1234, it was their descendants the Manchus, Jurchens from south east Manchuria that took full advantage of the problems of the Ming dynasty. In 1636 they adopted a Chinese dynastic name, the `Great Qing` (Qing meaning pure). The first of the Qing emperors was Shunzhi (1644-1661) but for most of his reign his uncle ran the state. War raged on during this period and it wasn`t until the second Qing emperor Kangxi (1662-1722) that true peace was achieved. Kangxi was a wise and educated man, he became a highly successful emperor bringing China a long period of wealth and stability.