A 17th Century Japanese Jar and Cover in the Ming Style

c.1655 - 1680

A 17th Century Japanese Jar and Cover in the Ming Style, Arita Kilns c.1655-1680. The design is in the style of late Ming porcelain produced at the beginning of the 17th century, Wanli or perhaps Tianqi c.1600-1630. However, this Japanese porcelain jar and cover is based on Dutch Delftware that is copying or at least basing its design on Ming porcelain. Ming porcelain designs with these panels and borders are referred to as Kraak ware. The three main panels are also a mix of different styles, essentially they are again a Japanese interpretation of Chinese style Delftware. Items like the present example were imported by the Dutch East India Company, the V.O.C. Vereenigde Oostindische Compagnie from Japan for use in the Netherlands and trade within Europe. During this period the Chinese kilns at Jingdezhen were struggling to produce porcelain because of internal problems within the country, so it was down to the Japanese and the Dutch potters to fulfill the insatiable demand for blue and white ceramics. This pot and cover is the result of design and trade between three countries, the Netherlands, China and Japan. For a very similar Arita jar lacking its cover, dated to c.1655-1670 see : Complete Catalogue of Shibata Collection (Contributors Saga Kenritsu Kyūshū Tōji Bunkakan. Published by the Kyushu Ceramic Museum, 1990) page 121, plate 0906. See below for related objects.

SOLD

Condition
There is a section of the unglazed rim of the cover missing. No other damage.
Size
Height 30.5 cm (12 inches)
Provenance
N/A
Stock number
26206
References
For a very similar Arita jar lacking its cover , dated to c.1655-1670 see : Complete Catalogue of Shibata Collection (Contributors Saga Kenritsu Kyūshū Tōji Bunkakan. Published by the Kyushu Ceramic Museum, 1990) page 121, plate 0906.

Photos

Information

Robert McPherson Antiques - Sold Archive

 

A Late Ming Blue and White Porcelain Kraakware Jar, Late Wanli or Tianqi c.1600-1630. The Substantially Potted Porcelain Jar is Painted with Large Panels of Flowers Including One of Lotus and Two of Peony. The Panels are Set Against Diaper backgrounds and Linked by Strap Type Ornamentation. There are Further Small Panels of Peony and the use of Ruyi-Heads. SOLD Condition Excellent, a tiny amount of light fritting to the rim. Size Height : 28.1 cm (11 inches) Provenance Robert McPherson Antiques, label to base. A Private English Collection of Chinese Blue and White Porcelain. Stock number 22348
A Late Ming Blue and White Porcelain Kraakware Jar, Late Wanli or Tianqi c.1600-1630. The Substantially Potted Porcelain Jar is Painted with Large Panels of Flowers Including One of Lotus and Two of Peony. The Panels are Set Against Diaper backgrounds and Linked by Strap Type Ornamentation. There are Further Small Panels of Peony and the use of Ruyi-Heads.
SOLD
Condition
Excellent, a tiny amount of light fritting to the rim.
Size
Height : 28.1 cm (11 inches)
Provenance
Robert McPherson Antiques, label to base. A Private English Collection of Chinese Blue and White Porcelain.
Stock number
22348

 

A CHINESE BLUE AND WHITE 'KRAAK PORSELEIN' JAR AND COVER WANLI PERIOD (1573-1619) Decorated with shaped panels enclosing flowers and rocks, reserved on a diaper ground with strapwork, the cover similarly decorated 18 ½ in. (47 cm.) high
A CHINESE BLUE AND WHITE 'KRAAK PORSELEIN' JAR AND COVER WANLI PERIOD (1573-1619) Decorated with shaped panels enclosing flowers and rocks, reserved on a diaper ground with strapwork, the cover similarly decorated 18 ½ in. (47 cm.) high

 

A Closely Related Delftware Jar and Cover Painted by Cornelis de Man

For more information about this painting and the connection between Delftware and paintings see

https://www.aronson.com/delftware-in-seventeenth-century-paintings/ 

Cornelis de Man (1 July 1621 in Delft – 1 September 1706 in Delft) was a Dutch Golden Age painter.
Cornelis de Man (1621 in Delft – 1706 in Delft) was a Dutch Golden Age painter. This jar and cover which is very similar in design and form was produced in Delft where the painter spent most of his life. The painting was previously called "Still life with a Frankfurter Faience Vase".

 

Robert McPherson, Robert McPherson Antiques 40 Years. 1980-2020
Robert McPherson, Robert McPherson Antiques 40 Years. 1980-2020

 

Delftware Vase c.1680. Art Institute of Chicago.
Delftware Vase c.1680. Art Institute of Chicago.

 

Robert McPherson Antiques
Robert McPherson Antiques