NORTHERN SONG 960 – 1127 Qingbai Ware
A Northern Song Dynasty Qingbai Porcelain Flower Shaped Dish. The Indented Shallow Dish is Decorated with a Peony Flower to the Center Using Combed and Engraved Techniques.
SOLD
- Condition
- A large long chip to the foot c.20 mm x 3 mm, the glaze is covered with a fine mesh of crazing.
- Size
- Diameter : 14.25 cm (5 1/2 inches)
- Provenance
- China Curios Centre, 12 Upper Lascar Row, Hong Kong, October 14th 1991. The Helen Espir Collection of Chinese Ceramics ; "a member of the Oriental Ceramic Society and collector, with her husband. Having made a typical collection of Song and provincial Ming blue and white, they decided to concentrate on what used to be called `clobbered` porcelain. She is the author of the standard work on the subject, European Decoration on Oriental Porcelain,2005, the first to examine the work of European decorators on Chinese porcelain throughout the eighteenth and nineteenth centuries, focusing on enamellers in Holland, Germany and England. She has learned Chinese." From Provenance ; Collectors, Dealers & Scholars : Chinese Ceramics in Britain & America (Roy Davids, Dominic Jellinek, Privately Printed, 2011. ISBN 978-0-9570148-0-0).
- Stock number
- 23689
Photos
Information
Qingbai Ware :
The earliest known qingbai wares were produced in Jingdezhen in Jiangxi province around the late 10th century and are characterized by faint pale-blue glazes on low, wide forms. Qingbai continued to be enormously popular and highly produced throughout the Song dynasty (960-1279) and was prevalent in the Yuan dynasty (1279-1368), but slackened during the Ming dynasty (1368-1644) until being replaced by tianbai, ‘sweet white’ ware. The initial forms of qingbai were simple bowls and dishes, but by the mid-Northern Song the forms had advanced to include a wide variety of objects used for daily life such as ewers, boxes, incense burners, granary models, vases, jars, sculptures, cups, cupstands, water droppers, lamps, grave wares, and tools for writing and painting. The precedent for the majority of these forms is found in earlier metalwork and lacquer and Rawson has suggested that the imitation of silver was the primary force behind the production of white wares, including qingbai. See our `History` section for more information about Song Porcelain and Stoneware by Mindy M. McDonald.