WANLI to CHONGZHEN 1573 – 1644 Swatow Ware

A Large Ming Porcelain `Swatow` Ware Dish. Late Ming Dynasty, Wanli to Chongzhen Period, From the Kilns in Pinghe or Hua`an Kilns in Heping County, Zhangzhou Prefecture, Fujian Province. This Substantial Heavy Porcelain Dish is Decorated with in Bright Polychrome Enamels with a Buddhist Lion in Turquoise Enamels in the Center Among Bamboo and Banana. The Back and Base with Kiln-Grit.


In very good condition, some wear to the center, some flaking to the turquoise enamel.
Diameter : 39 cm (15 1/3 inches)
Stock number



Swatow ware produced at various kilns in Zhangzhou Prefecture, Fujian Province was a type of Chinese export porcelain decorated in blue and white or bright overglaze enamels, often with a predominance of a flat somewhat rusty red. Swatow wares were shipped to many countries including Japan, Indonesia, the Philippines and Portugal.

Fu Dog, Buddhist Lion, Fo Dog :
When Buddhist priests, or possibly traders, brought stories to China about stone dogs guarding the entry to Indian Buddhist temples, Chinese sculptors modelled statues after native dogs for use outside their temples. The mythic version of the animal, was known as the Dog of Fo, the word Fo being Chinese for Buddha. The Buddhist version of the dog was originally introduced to Han China as the protector of dharma and these dogs have been found in religious art as early as c.200 BC. Gradually they were incorporated as guardians of the Chinese Imperial dharm. However, Chinese sensitivity metamorphosed the dog into a lion, even though lions were not indigenous to China, since this seems more appropriate to the dignity of an emperor when he used the beasts to guard his gates. The mythic dog is sometimes associated with feng shui, and are often called Fu Dogs. Fu means `happiness` in Chinese; however, the term `Fu Dog` and its variant Foo Dog, are not used in Chinese. Instead, they are known as Rui Shi (`auspicious lions`) or simply Shi (lions). There are various styles of imperial guardian lions reflecting influences from different time periods, imperial dynasties, and regions of China. These styles vary in their artistic detail and adornment as well as in the depiction of the lions from fierce to serene.